Flesh made light: investigating X-ray films

Still from Barbara Hammer's film, Sanctus, which shows an X-ray image of a head and torso in profile
Still from Barbara Hammer’s Sanctus, courtesy of the Medical Film Symposium

I’m flying back from a trip to the George Eastman House (in Rochester, New York), where I did a couple days of archival research. I thought I’d write a bit about what I was doing there and what I found, in the hope that capturing the experience here will help me organize my thoughts about it later.

I was interested in a physician-filmmaker named James Sibley Watson, Jr., who made a number of striking cinefluorographic (X-ray) films. I’ve been hoping that Watson will be the basis of a fourth chapter of my book, Depth Perception, which is about medical filmmaking. Each chapter focuses on a different aspect of what, together, we think constitutes a body: mind, anatomy, disease, and, with the addition of this fourth chapter, skin. My argument is that it’s surprisingly difficult to make a medicalized body cohere on film. It takes tons of editing tricks, special effects, and dedicated equipment. In fact, it’s so difficult, I argue, that we should pause to consider whether the medicalized body exists at all.

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Yale’s film studies “canon”: the readings

My desk in the wake of oral exams
This is what my desk looked like in the wake of my oral exams, back in 2006

Long, long ago, I posted the the filmography from the “canon” exam that Yale’s Film Studies Ph.D. program administers to all of its graduating students. I promised to post the readings, too, and then promptly forgot. Anyway, here they are, in case you’re interested in some light reading. Apologies for the formatting errors; I didn’t have the wherewithal to clean this list up.

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Film Study: an iPad app built for cinephiles

Film Study iconI’ve been using an iPad for about six months now. I like it, don’t get me wrong, but it hasn’t been the life-changing device I’d sort of been expecting. I haven’t found that many apps that really take advantage of the specific qualities of the iPad: its shape and size, the multi-touch surface. (Some exceptions: Flipboard, for reading news, and Aweditorium, for discovering new music.)

I’ve been excited about one particular app, though, because it evinces such careful attention to the way that film scholars want to spend time with their medium. Film Study is a free iPad app that makes it easy and natural to take time-stamped notes on films as they play.

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