New book chapter

I’m really proud to have a new chapter in an open-access volume edited by Eric Hoyt and Charles Acland called The Arclight Guidebook to Media History and the Digital Humanities, published by the UK press REFRAME. The chapter, which is called “How is a Digital Project Like a Film?” is really about data and narrative. What does […]

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Money and Time

This is an edited version of a talk I gave at UC Irvine on February 5, at a symposium organized by Peter Krapp and Geoffrey Bowker. Digital humanities, as we all know, is sexy right now. It seems to be everywhere, including the New York Times, the New Republic, and the Atlantic. Mellon’s funding it, […]

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Rehabbing DH101

Update, December 7: My students did a stunning job on their final projects, which you can see here: Joseph Mallord William Turner: UCLA Students Explore the Tate Britain’s Collection through Data NYSL By the Book: An Examination of the New York Society Library’s Circulation Records American Labor Movement The 5 Star Experience: The History and […]

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“Stronger and Whiter Light Down Deeper and Darker Holes”: Jacob Sarnoff and the Strange World of Anatomical Filmmaking

I have an essay up over on the National Library of Medicine’s Medical Movies on the Web site about Jacob Sarnoff, a Brooklyn surgeon who made thousands of anatomical and surgical films. I’m also so excited that the NLM posted Sarnoff’s weird 1927 film “The Human Body in Pictures.” From the essay: Motion pictures’ utility […]

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