{"id":1790,"date":"2016-11-07T13:25:59","date_gmt":"2016-11-07T21:25:59","guid":{"rendered":"http:\/\/miriamposner.com\/classes\/dh101f16\/?p=1790"},"modified":"2016-11-07T13:26:38","modified_gmt":"2016-11-07T21:26:38","slug":"blog-post-7-digital-harlem","status":"publish","type":"post","link":"https:\/\/miriamposner.com\/classes\/dh101f16\/2016\/11\/07\/blog-post-7-digital-harlem\/","title":{"rendered":"Blog Post #7: Digital Harlem"},"content":{"rendered":"<p>The Digital Harlem project presents viewers with social, political, and historic information related to Harlem NY between the years 1915-1930.\u00a0The map on the site is linked to a search toggle, allowing users to probe for particular events, people, and places that have a connection to the map.\u00a0The Digital Harlem project uses a variety of sources &#8212; including District Attorney files, Probation Dept. files, newspapers, as well as a few other publications from the time.<\/p>\n<p>After perusing the site for a bit, I found myself a little confounded by the aims of Digital Harlem. The &#8216;about&#8217; page states that the creators were invested in developing a project that focused on the banal, or quotidian aspects of early 20th c. Harlem. The developers of\u00a0the Digital Harlem project believe that discourse surrounding Harlem NY is often arranged in a way that centers the Harlem Renaissance&#8211; Black artists and thinkers post-WW1 and pre the Great Depression. This assumption alone is predicated on the Harlem Renaissance as\u00a0&#8220;common knowledge&#8221;. With that said, the creators gear their interest towards the Black citizens who lived outside of Black arts movements (and outside solid middle class status).<\/p>\n<p>The project begins by fetching most of its content from legal documents and judicial reports. I go back and fourth with this methodology &#8212; part of me is suspicious, why\u00a0utilize criminal records as your primary source when cultivating an image of &#8220;everyday Black life&#8221; ? But on the other hand &#8212; it&#8217;s naive for me to think that everyday Black life in the early 20th c. wasn&#8217;t already thoroughly criminalized by the state!! It&#8217;s a disturbing thought to reconcile&#8211;\u00a0it&#8217;s probably\u00a0possible to explore avenues of Black sexuality, Black vernacular, or Black hobbies via historic records\u00a0that perceive such processes as illicit.<\/p>\n<p>The map mixes a number of happenings, such as criminal charges with community festivities. For example, the project allows users to delve into cases of sodomy, while in a separate search a YMCA bowling contest. It&#8217;s a big endeavor to try and comprehend how these two events both\u00a0inform an understanding of the &#8216;Black everyday&#8217;. While the rhetoric of the project is initially alarming (i.e., &#8220;charge&#8221;, &#8220;conviction&#8221;, and overwhelmingly negative occurrences), the nuance and complexity of the project is illuminated after a few minutes browsing the various search options.\u00a0If I were to re-envision an alternative GIS project, I would focus not on alternative sources, but alternative ways of organizing search options and the format of information.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Digital Harlem project presents viewers with social, political, and historic information related to Harlem NY between the years 1915-1930.\u00a0The map on the site is linked to a search toggle, &hellip; <a href=\"https:\/\/miriamposner.com\/classes\/dh101f16\/2016\/11\/07\/blog-post-7-digital-harlem\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Blog Post #7: Digital Harlem&#8221;<\/span><\/a><\/p>\n","protected":false},"author":33,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-1790","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/miriamposner.com\/classes\/dh101f16\/wp-json\/wp\/v2\/posts\/1790","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/miriamposner.com\/classes\/dh101f16\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/miriamposner.com\/classes\/dh101f16\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/miriamposner.com\/classes\/dh101f16\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/miriamposner.com\/classes\/dh101f16\/wp-json\/wp\/v2\/comments?post=1790"}],"version-history":[{"count":0,"href":"https:\/\/miriamposner.com\/classes\/dh101f16\/wp-json\/wp\/v2\/posts\/1790\/revisions"}],"wp:attachment":[{"href":"https:\/\/miriamposner.com\/classes\/dh101f16\/wp-json\/wp\/v2\/media?parent=1790"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/miriamposner.com\/classes\/dh101f16\/wp-json\/wp\/v2\/categories?post=1790"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/miriamposner.com\/classes\/dh101f16\/wp-json\/wp\/v2\/tags?post=1790"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}