{"id":574,"date":"2010-11-13T15:07:44","date_gmt":"2010-11-13T22:07:44","guid":{"rendered":"http:\/\/miriamposner.com\/blog\/?page_id=574"},"modified":"2010-11-13T15:08:27","modified_gmt":"2010-11-13T22:08:27","slug":"psychiatry-photography-and-lobotomy-a-bibliography","status":"publish","type":"page","link":"https:\/\/miriamposner.com\/blog\/psychiatry-photography-and-lobotomy-a-bibliography\/","title":{"rendered":"Psychiatry, Photography, and Lobotomy: A Bibliography"},"content":{"rendered":"

C. Amirault, \u201cPosing the Subject of Early Medical Photography,\u201d Discourse: Berkeley Journal for Theoretical Studies in Media and Culture<\/em> (1993): 51.<\/p>\n

Carol M Armstrong, Scenes in a Library: Reading the Photograph in the Book, 1843-1875<\/em> (Cambridge, Mass: MIT Press, 1998).<\/p>\n

Carol Armstrong, \u201cProbing Pictures: Carol Armstrong on Georges Didi-Huberman (Book Review),\u201d Artforum International<\/em> 42, no. 1 (September 2003): 55-56.<\/p>\n

Michael Bliss, Harvey Cushing: A Life in Surgery<\/em> (New York: Oxford University Press, 2005).<\/p>\n

Michael Bliss, \u201cIntroduction,\u201d in The Legacy of Harvey Cushing: Profiles of Patient Care<\/em> (New York: Thieme, 2007), vii-x.<\/p>\n

Joel T Braslow, Mental Ills and Bodily Cures: Psychiatric Treatment in the First Half of the Twentieth Century<\/em>, Medicine and Society 8 (Berkeley: University of California Press, 1997).<\/p>\n

Jean Martin Charcot, Bourneville, and Edouard Brissaud, Oeuvres completes de J.M. Charcot<\/em>, vol. 9 (Bureaux du Progr\u00e8s M\u00e9dical, 1890).<\/p>\n

Jean Martin Charcot, Bourneville, and J. F. F. Babinski, Oeuvres compl\u00e8tes de J.M. Charcot. t.1-: Le\u00e7ons sur les maladies du syst\u00e8me nerveux, recueillies et pub. par Bourneville. 1892-94.<\/em>, vol. 1 (Paris: Bureau du Progres M\u00e9dical, 1892).<\/p>\n

The Legacy of Harvey Cushing: Profiles of Patient Care<\/em> (New York: Thieme, 2007).<\/p>\n

Georges Didi-Huberman, Invention of Hysteria: Charcot and the Photographic Iconography of the Salp\u00eatri\u00e8re<\/em> (Cambridge, Mass: MIT Press, 2003).<\/p>\n

Brian Dolan, \u201cSoul Searching: A Brief History of the Mind\/Body Debate in the Neurosciences,\u201d Neurosurgical FOCUS<\/em> 23, no. 1 (7, 2007): 1-7.<\/p>\n

Tim Dolin, \u201c’Cranford’ and the Victorian Collection,\u201d Victorian Studies<\/em> 36, no. 2 (Winter 1993): 179-206.<\/p>\n

Finis Dusaway, \u201cHunting with the Camera: Nature Photography, Manliness, and Modern Memory, 1890\u20131930,\u201d Journal of American Studies<\/em> 34, no. 02 (2000): 207-230.<\/p>\n

Ellen Dwyer, \u201cToward New Narratives of Twentieth-Century Medicine,\u201d Bulletin of the History of Medicine<\/em> 74, no. 4 (2000): 786-793.<\/p>\n

Elizabeth Edwards, Raw Histories: Photographs, Anthropology and Museums<\/em>, Materializing culture (Oxford: Berg, 2001).<\/p>\n

Louise Eisenhardt, \u201cConcerning a Registry of Brain Tumors,\u201d American Journal of Pathology<\/em> (n.d.).<\/p>\n

Jack El-Hai, The Lobotomist: A Maverick Medical Genius and His Tragic Quest to Rid the World of Mental Illness<\/em> (Hoboken, N.J: J. Wiley, 2005).<\/p>\n

Martin Elks, \u201cVisual Rhetoric: Photographs of the Feeble-Minded During the Eugenics Era, 1900-1930\u201d (Syracuse, N.Y.: Syracuse University, 1992).<\/p>\n

Michel Foucault, Birth of the Clinic: An Archeology of Medical Perception<\/em> (New York: Pantheon, 1973).<\/p>\n

Walter Freeman, Psychosurgery in the Treatment of Mental Disorders and Intractable Pain<\/em>, 2nd ed. (Springfield, Ill: C. C. Thomas, 1950).<\/p>\n

Walter Freeman, \u201cHead-and-Shoulder Hunting in the Americas: Photographic Follow-Up Studies in Lobotomy,\u201d Medical Annals of the District of Columbia<\/em> 27, no. 7 (July 1958): 336-345.<\/p>\n

Walter Freeman, \u201cWith Camera and Ice-Pick in Search of the Super-Ego\u201d (Los Altos, Cal., April 22, 1960), Walter Freeman\/James Watts Collection, Melvin Gelman Library Special Collections Research Center, George Washington University.<\/p>\n

Walter Freeman, The Psychiatrist; Personalities and Patterns<\/em> (New York: Grune & Stratton, 1968).<\/p>\n

Walter Freeman, \u201cAdventures in Lobotomy,\u201d n.d., Walter Freeman\/James Watts Collection, Melvin Gelman Library Special Collections Research Center, George Washington University.<\/p>\n

Walter Freeman, \u201cAutobiography,\u201d n.d., Walter Freeman\/James Watts Collection, Melvin Gelman Library Special Collections Research Center, George Washington University.<\/p>\n

Walter Freeman, James Winston Watts, and Thelma Hunt, Psychosurgery<\/em> (Springfield, Ill.: C. C. Thomas, 1942).<\/p>\n

Sander L. Gilman, Seeing the Insane<\/em> (University of Nebraska Press, 1996).<\/p>\n

\u2014\u2014\u2014. The Face of Madness: Hugh W. Diamond and the Origin of Psychiatric Photography<\/em> (New York: Brunner\/Mazel, 1976).<\/p>\n

Christopher G Goetz, Michel Bonduelle, and Toby Gelfand, Charcot: Constructing Neurology<\/em> (New York: Oxford University Press, 1995).<\/p>\n

Tom Gunning, \u201cIn Your Face: Physiognomy, Photography, and the Gnostic Mission of Early Film,\u201d Modernism\/modernity<\/em> 4, no. 1 (1997): 1-29.<\/p>\n

Jennifer Tucker, \u201cThe Historian, the Picture, and the Archive,\u201d Isis<\/em> 97, no. 1 (n.d.): 111-120.<\/p>\n

Martin Kemp, \u201c”A Perfect and Faithful Record”: Mind and Body in Medical Photography Before 1900,\u201d in Beauty of Another Order: Photography in Science<\/em> (New Haven, CT: Yale University Press in association with the National Gallery of Canada, Ottawa, 1997), 120-49.<\/p>\n

Johann Caspar Lavater, Essays on Physiognomy for the Promotion of the Knowledge and the Love of Mankind; Written in the German Language by J. C. Lavater, Abridged from Mr. Holcrofts Translation<\/em> (London: Printed for G. G. J. & J. Robinson, 1800).<\/p>\n

Alisa Luxenberg, \u201c’The art of correctly painting the expressive lines of the human face’: Duchenne de Boulogne’s photographs of human expression and the \u00c9cole des Beaux-Arts,\u201d History of Photography<\/em> 25, no. 2 (Summer 2001): 201-213.<\/p>\n

Daphne de Marneffe, \u201cLooking and Listening: The Construction of Clinical Knowledge in Charcot and Freud,\u201d Signs<\/em> 17, no. 1 (Autumn 1991): 71-111.<\/p>\n

Anne Maxwell, Picture Imperfect: Photography and Eugenics 1870-1940<\/em> (Brighton [England]: Sussex Academic Press, 2008).<\/p>\n

Mark S. Micale, ‘The Psychiatric Body,’ in Companion to Medicine in the Twentieth Century<\/em>, ed. Roger Cooter and John Pickstone (Taylor & Francis, 2003), 323-346.<\/p>\n

Iwan Rhys Morus, \u201cSeeing and Believing Science,\u201d Isis<\/em> 97, no. 1 (March 1, 2006): 101-110.<\/p>\n

Susan M Pearce, On Collecting: An Investigation into Collecting in the European Tradition<\/em> (London: Routledge, 1995).<\/p>\n

Sharronna Pearl, \u201cThrough a Mediated Mirror: The Photographic Physiognomy of Dr Hugh Welch Diamond,\u201d History of Photography<\/em> 33, no. 3 (June 2009): 288-305.<\/p>\n

\u2014\u2014\u2014. About Faces: Physiognomy in Nineteenth-Century Britain<\/em> (Cambridge, Mass: Harvard University Press, 2010).<\/p>\n

Jack David Pressman, Last Resort: Psychosurgery and the Limits of Medicine<\/em>, Cambridge History of Medicine (Cambridge, U.K: Cambridge University Press, 1998).<\/p>\n

Phillip Prodger, Darwin’s Camera<\/em> (Oxford and New York: Oxford University Press, 2009).<\/p>\n

Salp\u00eatri\u00e8re (Hospital), and Soci\u00e9t\u00e9 de, Nouvelle Iconographie De La Salp\u00eatri\u00e8r<\/em> (Paris: Lecrosnier et Bab\u00e9, 1888).<\/p>\n

A Scull, \u201cSomatic treatments and the historiography of psychiatry,\u201d History of Psychiatry<\/em> 5, no. 17 (March 1994): 1-12.<\/p>\n

Allan Sekula, \u201cThe Body and the Archive,\u201d in The Contest of Meaning: Critical Histories of Photography<\/em>, ed. Richard Bolton (Cambridge, Mass.: The MIT Press, 1989), 343-388.<\/p>\n

David Shutts, Lobotomy: Resort to the Knife<\/em> (New York: Van Nostrand Reinhold, 1982).<\/p>\n

Barbara Maria Stafford, Body Criticism: Imaging the Unseen in Enlightenment Art and Medicine<\/em> (Cambridge, Mass: MIT Press, 1991).<\/p>\n

Susan Stewart, On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection<\/em> (Duke University Press, 1993).<\/p>\n

John Tagg, \u201cA Means of Surveillance: The Photograph as Evidence in Law,\u201d in The Burden of Representation<\/em> (London: Macmillan Education, 1988).<\/p>\n

John Tagg, The Burden of Representation<\/em> (U of Minnesota Press, 1993).<\/p>\n

Elliot S Valenstein, Great and Desperate Cures: The Rise and Decline of Psychosurgery and Other Radical Treatments for Mental Illness<\/em> (New York: Basic Books, 1986).<\/p>\n

Koen Vermier, \u201cThe Magic of the Magic Lantern (1660\u20131700): On Analogical Demonstration and the Visualization of the Invisible,\u201d The British Journal for the History of Science<\/em> 38, no. 02 (2005): 127-159.<\/p>\n

Christopher J. Wahl et al., \u201cCushing Brain Tumor Registry: A Diary of Neurological Surgery During its Conception,\u201d in The Legacy of Harvey Cushing: Profiles of Patient Care<\/em> (New York: Thieme, 2007), xi-xxi.<\/p>\n

Christopher J. Wahl et al., \u201cHarvey Cushing as a Book Collector, Bibliophile, and Archivist: the Precedence for the Genesis of the Brain Tumor Registry,\u201d Journal of Neurosurgery<\/em> 111, no. 5 (11, 2009): 1091-1095.<\/p>\n

A.F. Wallace, \u201cThe Early History of Clinical Photography for Burns, Plastic and Reconstructive surgery,\u201d British Journal of Plastic Surgery<\/em> 38, no. 4 (October 1985): 451-465.<\/p>\n

\u201cDr. Harvey Cushing Collection (The Fulton-Cushing Collection),\u201d n.d., http:\/\/www.axion.org\/cushing\/cushing.html<\/a>.<\/p>\n

\u201cCyber Museum of Neurosurgery,\u201d n.d., http:\/\/www.neurosurgery.org\/Cybermuseum\/tumorregistryhall\/wahl.html<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

C. Amirault, \u201cPosing the Subject of Early Medical Photography,\u201d Discourse: Berkeley Journal for Theoretical Studies in Media and Culture (1993): 51. Carol M Armstrong, Scenes in a Library: Reading the Photograph in the Book, 1843-1875 (Cambridge, Mass: MIT Press, 1998). Carol Armstrong, \u201cProbing Pictures: Carol Armstrong on Georges Didi-Huberman (Book Review),\u201d Artforum International 42, no. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-574","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/miriamposner.com\/blog\/wp-json\/wp\/v2\/pages\/574","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/miriamposner.com\/blog\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/miriamposner.com\/blog\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/miriamposner.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/miriamposner.com\/blog\/wp-json\/wp\/v2\/comments?post=574"}],"version-history":[{"count":3,"href":"https:\/\/miriamposner.com\/blog\/wp-json\/wp\/v2\/pages\/574\/revisions"}],"predecessor-version":[{"id":577,"href":"https:\/\/miriamposner.com\/blog\/wp-json\/wp\/v2\/pages\/574\/revisions\/577"}],"wp:attachment":[{"href":"https:\/\/miriamposner.com\/blog\/wp-json\/wp\/v2\/media?parent=574"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}