{"id":2,"date":"2018-03-22T21:38:36","date_gmt":"2018-03-22T21:38:36","guid":{"rendered":"http:\/\/miriamposner.com\/classes\/is289s18\/?page_id=2"},"modified":"2018-06-04T20:50:30","modified_gmt":"2018-06-04T20:50:30","slug":"sample-page","status":"publish","type":"page","link":"http:\/\/miriamposner.com\/classes\/is289s18\/","title":{"rendered":"Welcome"},"content":{"rendered":"<p>Prof. Miriam Posner<br \/>\n<a href=\"mailto:mposner@humnet.ucla.edu\">Email<\/a> | Office hours: Wednesday, 1pm-3pm, Rolfe 3318<\/p>\n<p>Most people associate museums with objects, whether they be works of art, fossilized bones, or <a href=\"https:\/\/www.burlingamepezmuseum.com\/\">PEZ dispensers<\/a>. But objects (or images of objects) now proliferate widely in digital form. Now that we don&#8217;t have to check our coats or pay a fee to see images of rare artifacts, do the objects themselves still matter? Have museums lost some of their cultural authority? What have they, or we, gained? What is a museum&#8217;s purpose in the digital age?<\/p>\n<p>We&#8217;ll investigate these questions in a distinctly hands-on series of encounters. This class takes a pragmatic look at various aspects of the museum profession today, while also giving us a chance to pause together to talk about what all this means for museums and their communities.<\/p>\n<h2>READING SCHEDULE<\/h2>\n<p><em>If readings are not linked directly from here, they&#8217;re available on CCLE under the appropriate week.<\/em><\/p>\n<p>WEEK 1 | APRIL 3<br \/>\n<strong>INTRODUCTION<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/docs.google.com\/presentation\/d\/e\/2PACX-1vTIpBPlArWzB6Z__ffdD7nAHULnfSXIp-Vak5LNo2fnqhQFfZWDeIe3IJ0v1IgNwMOqiP6pjSzIStYH\/embed?start=false&amp;loop=false&amp;delayms=3000\" width=\"960\" height=\"400\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\nNo required reading.<\/p>\n<p>WEEK 2 | APRIL 10<br \/>\n<strong>DECOLONIZING THE MUSEUM<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/docs.google.com\/presentation\/d\/e\/2PACX-1vTv9sRI0Fmxk_10VS3IT9iKRRqSN-g4Xm95xEg9EJPDoLPmrwwlZ0fwuJbexue4GeMFVVUCZoOHlEwt\/embed?start=false&amp;loop=false&amp;delayms=3000\" width=\"960\" height=\"400\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<strong>Guest: Dr. Wendy Teeter, Curator of Archaeology, UCLA Fowler Museum of Cultural History<\/strong><\/p>\n<p><a href=\"https:\/\/www.fowler.ucla.edu\/exhibitions\/rigo-23-heart-santa-madera\/\">Rigo 23: From the Heart of Santa Madera<\/a><\/p>\n<p><a href=\"https:\/\/www.fowler.ucla.edu\/exhibitions\/launching-a-dream\/\">Launching a Dream: Reviving Tongva Maritime Traditions<\/a><\/p>\n<p><a href=\"http:\/\/newsroom.ucla.edu\/releases\/launching-a-dream-reviving-tongva-202479\">&#8220;&#8216;Launching a Dream: Reviving Tongva Maritime Traditions&#8217; opens June 5 at Fowler Museum&#8221; (UCLA Newsroom)<\/a><\/p>\n<p><a href=\"https:\/\/mila.ss.ucla.edu\/\">Mapping Indigenous L.A.<\/a><\/p>\n<p>Brown, Deidre, and George Nicholas. \u201cProtecting Indigenous Cultural Property in the Age of Digital Democracy: Institutional and Communal Responses to Canadian First Nations and M\u0101ori Heritage Concerns.\u201d <em>Journal of Material Culture<\/em> 17, no. 3 (September 1, 2012): 307\u201324. https:\/\/doi.org\/10.1177\/1359183512454065.<\/p>\n<p>Bennett, Tony. \u201cThe Exhibitionary Complex.\u201d <em>New Formations<\/em> 4 (Spring 1988): 73\u2013102.<\/p>\n<p>WEEK 3 | APRIL 17<br \/>\n<strong>DIGITAL ASSET MANAGEMENT<\/strong><br \/>\n<strong>Guest: Yvonne Lee (UCLA MLIS &#8217;12), Digital Projects Manager, Los Angeles County Museum of Art<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/docs.google.com\/presentation\/d\/e\/2PACX-1vQHLpA_xypwGXFdek_5lKeAHaFeffgyyjWj9a8-pdEpfB023vw3wZz1DtWD5D9W-qvAinb7IKBjzhMw\/embed?start=false&amp;loop=false&amp;delayms=3000\" width=\"960\" height=\"400\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<cite>And please see your email for Yvonne Lee&#8217;s slides!<\/cite><\/p>\n<p><strong>Part I: LIS in the Museum<\/strong><\/p>\n<p>Zoller, Gabriela, and Katie DeMarsh. \u201cFor the Record: Museum Cataloging from a Library and Information Science Perspective.\u201d <em>Art Documentation: Journal of the Art Libraries Society of North America<\/em> 32, no. 1 (2013): 54\u201370. https:\/\/doi.org\/10.1086\/669989.<\/p>\n<p>Skim: Silvaggi, Antonia. <a href=\"http:\/\/www.project-musa.eu\/wp-content\/uploads\/2017\/03\/MuSA-Emerging-Job-Profiles-for-museum-professionals.pdf\">\u201cEmerging Job Profiles for Museum Professionals.\u201d<\/a> R2.2. Mu.SA: Museum Skills Alliance, 2017.<\/p>\n<p><strong>Part II: DAMS<\/strong><\/p>\n<p><a href=\"https:\/\/digitalassetmanagement.com\/dam-basics\/\">What is a DAMS?<\/a><\/p>\n<p><a href=\"http:\/\/dammaturitymodel.org\/\">DAMS Implementation and Maturity Model<\/a><\/p>\n<p><a href=\"http:\/\/vraweb.org\/resources\/cataloging-metadata-and-data-management\/metadata-standards\/\">VRA Metadata Standards<\/a><\/p>\n<p>Metadata Standards (skim):\u00a0<a href=\"http:\/\/www.loc.gov\/standards\/vracore\/VRA_Core4_Intro.pdf\">VRA Core,<\/a> <a href=\"https:\/\/iptc.org\/standards\/photo-metadata\/iptc-standard\/\">IPTC,<\/a> <a href=\"https:\/\/projects.iq.harvard.edu\/fits\">FITS,<\/a> <a href=\"http:\/\/www.loc.gov\/standards\/premis\/\">PREMIS,<\/a> <a href=\"https:\/\/www.weareavp.com\/products\/avi-metaedit-revtmd\/\">reVTMD<\/a><\/p>\n<p>Vendors (skim): <a href=\"http:\/\/www.lunaimaging.com\/software\/\">LUNA<\/a>, <a href=\"https:\/\/www.netx.net\/\">NetX<\/a>, <a href=\"https:\/\/www.opentext.com\/what-we-do\/products\/customer-experience-management\/digital-asset-management\">OpenText<\/a>, <a href=\"http:\/\/www.piction.com\/site\/\">Piction<\/a>, <a href=\"https:\/\/www.resourcespace.com\/\">ResourceSpace<\/a><\/p>\n<p>WEEK 4 | APRIL 24<br \/>\n<strong>DIGITAL STRATEGY<\/strong><br \/>\n<em>Meet in the Hammer Museum lobby at 2pm<\/em><br \/>\n<strong>Guests: Susan Edwards, Associate Director, Digital Content, UCLA Hammer Museum; Phil Leers, Project Manager, Digital Initiatives, UCLA Hammer Museum; and Haley Di Pressi (UCLA &#8217;15), Registrarial Assistant, UCLA Hammer Museum<\/strong><\/p>\n<p><a href=\"http:\/\/www.latimes.com\/entertainment\/arts\/miranda\/la-et-cam-hammer-digital-archive-20160830-snap-story.html\">&#8220;Why the Hammer Museum&#8217;s new free digital archives are a game changer&#8221;<\/a> (<em>Los Angeles Times<\/em>, September 7, 2016)<\/p>\n<p>Peacock, Darren. \u201cMaking Ways for Change: Museums, Disruptive Technologies and Organisational Change.\u201d <em>Museum Management and Curatorship<\/em> 23, no. 4 (December 1, 2008): 333\u201351. https:\/\/doi.org\/10.1080\/09647770802517324.<\/p>\n<p>Morrison, Alex. \u201cDigital Strategy for Museums.\u201d New York: Cogapp, 2017.<\/p>\n<p>Alliance Labs. <a href=\"http:\/\/labs.aam-us.org\/blog\/museums-and-digital-strategy-today\/\">\u201cMuseums and Digital Strategy Today,\u201d<\/a> July 10, 2017.<\/p>\n<p>Skim: <a href=\"https:\/\/www.cogapp.com\/museum-digital-strategy-examples-resources\/\">Museum Digital Strategy Examples and Resources<\/a><\/p>\n<p>WEEK 5 | MAY 1<br \/>\n<strong>EXHIBITING CULTURES<\/strong><br \/>\n<em>Meet in front of the California African American Museum at 2:30.<\/em><br \/>\n<strong>Guest: Tyree Boyd Pates, History Curator, California African American Museum<\/strong><\/p>\n<p>Read chapter one: Carter G. Woods, <a href=\"http:\/\/www.historyisaweapon.com\/defcon1\/misedne.html\"><em>The Mis-Education of the Negro<\/em><\/a>, 1933.<\/p>\n<p>Twiss Houting, Beth A., Mary Jane Taylor, and Susy Watts. \u201cLearning Theory in the Museum Setting.\u201d In <em>An Alliance of Spirit: Museum and School Partnerships<\/em>, edited by Kim Fortney and Beverly Sheppard. Washington, DC: AAM Press, American Association of Museums, 2010.<\/p>\n<p>Please see CCLE under &#8220;Week 5&#8221; for an EXCITING homework assignment!<\/p>\n<p>WEEK 6 | MAY 8<br \/>\n<strong>(DIGITAL) PROJECT MANAGEMENT &amp; MUSEUMS ONLINE<\/strong><br \/>\n<strong> Guest: Gene McHugh, Head of Digital Media, UCLA Fowler Museum<\/strong><\/p>\n<p>Whitelaw, Mitchell. <a href=\"http:\/\/www.digitalhumanities.org\/dhq\/vol\/9\/1\/000205\/000205.html\">\u201cGenerous Interfaces for Digital Cultural Collections\u201d<\/a>\u00a0<em>Digital Humanities Quarterly<\/em> 9, no. 1 (2015).<\/p>\n<p>Stack, John. <a href=\"https:\/\/lab.sciencemuseum.org.uk\/exploring-museum-collections-online-some-background-reading-da5a332fa2f8\">\u201cExploring Museum Collections Online: Some Background Reading.\u201d<\/a> Science Museum Group Digital Lab, January 23, 2018.<\/p>\n<p><a href=\"http:\/\/www.getty.edu\/publications\/osci-report\"> Museum Catalogues in the Digital Age (OSCI Final Report)<\/a>. The Getty Foundation, Los Angeles, 2017.<\/p>\n<p>Gat, Orit. <a href=\"http:\/\/rhizome.org\/editorial\/2015\/mar\/12\/global-audiences-zero-visitors\/\">\u201cGlobal Audiences, Zero Visitors: How to Measure the Success of Museums\u2019 Online Publishing.\u201d<\/a> Rhizome, March 12, 2015.<\/p>\n<p>(Bonus: Check out the <a href=\"https:\/\/collectionsasdata.github.io\/\">Collections as Data<\/a> project.)<\/p>\n<p>WEEK 7 | MAY 15<br \/>\n<strong>EXHIBIT DESIGN<\/strong><br \/>\n<strong>Guest: Dr. Mary Battle, Content Developer, Ralph Appelbaum Associates<\/strong><\/p>\n<p>Chan, Sebastian, and Aaron Cope. \u201cStrategies Against Architecture: Interactive Media and Transformative Technology at Cooper Hewitt.\u201d <i>MW 2015: Museums and the Web 2015<\/i>, April 6, 2015. <a href=\"http:\/\/mw2015.museumsandtheweb.com\/paper\/strategies-against-architecture-interactive-media-and-transformative-technology-at-cooper-hewitt\/\">http:\/\/mw2015.museumsandtheweb.com\/paper\/strategies-against-architecture-interactive-media-and-transformative-technology-at-cooper-hewitt\/<\/a>.<\/p>\n<p>Greenblatt, Stephen. \u201cResonance and Wonder.\u201d In <i>Exhibiting Cultures: The Poetics and Politics of Museum Display<\/i>, edited by Ivan Karp, 43\u201356. Washington and London: Smithsonian Institution Press, 91. <a href=\"http:\/\/www.jstor.org\/stable\/3824277\">http:\/\/www.jstor.org\/stable\/3824277<\/a>.<\/p>\n<p>Isaac, Gwyneira. \u201cTechnology Becomes the Object The Use of Electronic Media at the National Museum of the American Indian.\u201d <i>Journal of Material Culture<\/i> 13, no. 3 (November 1, 2008): 287\u2013310. <a href=\"https:\/\/doi.org\/10.1177\/1359183508095497\">https:\/\/doi.org\/10.1177\/1359183508095497<\/a>.<\/p>\n<p>WEEK 8 | MAY 22<br \/>\n<strong>VISITORS OF COLOR<\/strong><br \/>\n<strong>Guest: nikhil trivedi, Web Architect, The Art Institute of Chicago<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/docs.google.com\/presentation\/d\/e\/2PACX-1vRshX-1I-ahcZhqGuNHTJk4eK_swQrqR3l2y2THXl-_auqZMaa12Dgu_Ve1rQ7gfcuEfvR3ZZKZ8Foj\/embed?start=false&amp;loop=false&amp;delayms=3000\" width=\"960\" height=\"400\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<a href=\"http:\/\/visitorsofcolor.tumblr.com\/\">Visitors of Color Tumblr<\/a><\/p>\n<p><a href=\"https:\/\/blogs.iwu.edu\/contemporaryamericanpoetry\/2014\/01\/31\/at-the-cemetery-walnut-grove-plantation-south-carolina-1989\/\">Lucille Clifford, &#8220;at the cemetery, walnut grove plantation, south carolina, 1989&#8221;<\/a> and <a href=\"http:\/\/www.english.illinois.edu\/maps\/poets\/a_f\/clifton\/cemetery.htm\">context<\/a>.<\/p>\n<p>Wilson, Fred, and Howard Halle. \u201cMining the Museum.\u201d <em>Grand Street<\/em>, no. 44 (1993): 151. https:\/\/doi.org\/10.2307\/25007622.<\/p>\n<p>Wilson, Fred. <a href=\"http:\/\/collection.whitney.org\/object\/11433\">&#8220;Guarded View.&#8221;<\/a><\/p>\n<p>Caballero, Cecilia. <a href=\"https:\/\/www.chicanamotherwork.com\/single-post\/2017\/08\/23\/Mothering-While-Brown-in-White-Spaces-Or-When-I-Took-My-Son-to-Octavia-Butler%E2%80%99s-Exhibit\">\u201cMothering While Brown in White Spaces, Or, When I Took My Son to Octavia Butler\u2019s Exhibit.\u201d<\/a> Chicana M(other)work, August 23, 2017.<\/p>\n<p>WEEK 9 | MAY 29<br \/>\n<strong>DIVERSIFYING THE PROFESSION (+ DATA WORKSHOP)<\/strong><br \/>\n<strong>Guest: Dr. Nicole Ivy, Director of Diversity, American Association of Museums<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/docs.google.com\/presentation\/d\/e\/2PACX-1vQZTTkFxfUUzeAwgGp27BLnmgbwVseJvWZ-fQwZVed7KbL_LdXnwIvqYJZ_XAKPGnfa476WffFb53Qx\/embed?start=false&#038;loop=false&#038;delayms=3000\" frameborder=\"0\" width=\"960\" height=\"400\" allowfullscreen=\"true\" mozallowfullscreen=\"true\" webkitallowfullscreen=\"true\"><\/iframe><\/p>\n<p>Ivy, Nicole. <a href=\"http:\/\/www.aam-us.org\/docs\/default-source\/museum\/the-labor-of-diversity.pdf\">\u201cThe Labor of Diversity.\u201d<\/a> <em>Museum<\/em>, February 2016.<\/p>\n<p>Excerpts from Ahmed, Sara.<em> On Being Included: Racism and Diversity in Institutional Life<\/em>. Durham, N.C.: Duke University Press, 2012.<\/p>\n<p>Schonfeld, Roger, and Mari\u00ebt Westermann. <a href=\"https:\/\/mellon.org\/media\/filer_public\/ba\/99\/ba99e53a-48d5-4038-80e1-66f9ba1c020e\/awmf_museum_diversity_report_aamd_7-28-15.pdf\">\u201cThe Andrew W. Mellon Foundation Art Museum Staff Demographic Survey.\u201d<\/a> New York: The Andrew W. Mellon Foundation, 2015.<\/p>\n<p>Optional, just released: <a href=\"https:\/\/www.aam-us.org\/wp-content\/uploads\/2018\/04\/AAM-DEAI-Working-Group-Full-Report-2018.pdf\"><em>Facing Change:\u00a0Insights from the American Alliance of Museums\u2019 Diversity, Equity, Accessibility, and Inclusion Working Group<\/em><\/a> (May 2018)<\/p>\n<p>WEEK 10 | JUNE 5<br \/>\n<strong>VIRTUAL REALITY<\/strong><br \/>\n<strong>Guest: Francesca Albrezzi, Ph.D. Candidate, UCLA Department of World Arts &amp; Cultures<\/strong><\/p>\n<p>Rae, Juno, and Lizzie Edwards. <a href=\"https:\/\/mw2016.museumsandtheweb.com\/paper\/virtual-reality-at-the-british-museum-what-is-the-value-of-virtual-reality-environments-for-learning-by-children-and-young-people-schools-and-families\/.\">\u201cVirtual Reality at the British Museum: What Is the Value of Virtual Reality Environments for Learning by Children and Young People, Schools, and Families?\u201d<\/a> MW2016: Museums and the Web 2016 (blog). Accessed March 30, 2018.<\/p>\n<p><a href=\"https:\/\/www.theverge.com\/2017\/5\/6\/15563922\/museums-vr-ar-apps-digital-technology\">&#8220;20,000-Year-Old Artifacts, 21st-Century Artifacts,&#8221;<\/a> <em>The Verge<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Prof. Miriam Posner Email | Office hours: Wednesday, 1pm-3pm, Rolfe 3318 Most people associate museums with objects, whether they be works of art, fossilized bones, or PEZ dispensers. But objects &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/miriamposner.com\/classes\/is289s18\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Welcome&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"_eb_attr":"","footnotes":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/miriamposner.com\/classes\/is289s18\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/miriamposner.com\/classes\/is289s18\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/miriamposner.com\/classes\/is289s18\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/miriamposner.com\/classes\/is289s18\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/miriamposner.com\/classes\/is289s18\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":0,"href":"http:\/\/miriamposner.com\/classes\/is289s18\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"wp:attachment":[{"href":"http:\/\/miriamposner.com\/classes\/is289s18\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}