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Museums in the Digital Age

DH150 (Fall 2017) at UCLA

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February 8, 2017 aidanpinter

Cinema and the God-given Right to Play

Cinema and the God-Given Right to Play During the great migration of African Americans into major southern cities, Black people

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February 8, 2017 etheohar

Evelyn Preer as a Vehicle of Victimization in Micheaux’s Films

This chapter is dedicated to the black actress Evelyn Preer, who appeared in many of Micheaux’s silent films. Her starring

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February 8, 2017 leo6

Précis for “The Ambitions of William Foster”

The Ambitions of William Foster by Allyson Field reflects on the career of a Chicago-based African-American filmmaking entrepreneur who was always

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February 8, 2017 rech4

“To Misrepresent a Helpless Race” Chapter 1

Chapter 1 “To misrepresent a Helpless Race” by Jacqueline Najuma Stewart discusses the negative image of blacks portrayed in the

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February 8, 2017 jennyjwest

Precis – To Redream the Dream of White Playwrights

Chapter 8 of the book Oscar Micheaux and his Circle is titled “To Redream the Dream of White Playwrights: Reappropriation and

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February 8, 2017 stsan1

To “Encourage and Uplift”: Entrepreneurial Uplift Cinema

In this chapter, To “Encourage and Uplift”: Entrepreneurial Uplift Cinema, the author, Allyson Fields, traces filmmaking practices of several Black filmmaking

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February 8, 2017 jaydhindsa

Blog Post #3-Introduction: Migrating to the Movies

This intro is divided into three main sections. First, it provides an overview of the uplift project to better understand

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February 8, 2017 saraho

Blog #3: Précis on “The Aesthetics of Uplift: The Hampton-Tuskegee Idea and the Possibility of Failure”

In Allyson Field’s chapter “The Aesthetics of Uplift: The Hampton-Tuskegee Idea and the Possibility of Failure”, Field introduces the Hampton-Tuskegee

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February 8, 2017 destinymartin19

Blog Post 3- Precis on “Telling White Lies”

Corey K. Creekmur’s chapter “Telling White Lies: Oscar Micheaux Charles W. Chestnutt” in the book “Oscar Micheaux and his Circle”

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February 8, 2017 btran

Blog Post #3: Richard Norman and Robert Levy

While race films were dominated by a stream of features that were produced for and by the black community, there were

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About this class

Fall 2017, UCLA
Professor Miriam Posner
M, W, 12-1:15pm, Rolfe 2118
Our Slack
Make an appointment with Prof. Posner

Recent Posts

  • Blog Post 1: John Ashbery’s Nest
  • Blog Post 2 : Mori Art Museum
  • Blog Post 4 – And/Or Gallery
  • Blog Post 1
  • Site Visit – Blog Post 5 – makeup – Armory Center for the Arts

Recent Comments

  • brandonb. on Blog post #2
  • brandonb. on Blog Post 2: Museums
  • gshah on The Museum of Broken Relationships
  • gshah on Infinity Mirrored Room at The Broad
  • falbrezzi on Spruth Magers VR

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