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DH150 (Fall 2017) at UCLA

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Month: February 2017

February 8, 2017 falbrezzi

Blog 3 – Precis

On “Exhibitions of Faith and Fellowship” Cara Caddoo’s first chapter “Exhibitions of Faith and Fellowship” in her book Envisioning Freedom

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February 8, 2017 jpokorny10

Précis- Oscar Micheaux’s The Symbol of the Unconquered: Text and Context

This week I read “Oscar Micheaux’s The Symbol of the Unconquered: Text and Context” by Pearl Bowser and Louise Spence.

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February 8, 2017 jhpak

Précis of Race Cinema, the Transition to Sound, and Hollywood’s African-American-Cast Musicals

Film has inevitably played a significant role in the development and evolution of America’s social climate– whether it intended to

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February 8, 2017 amcrandall

Uplift Cinema – Film and Reception

“A Vicious and Hurtful Play” – Allyson Nadia Field, Uplift Cinema This chapter is about the reception and response to

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February 8, 2017 aitana

“The Birth of a Nation, Melodrama of Black and White, and Early Race Filmmaking”

In Linda Williams’ essay, “The Birth of a Nation, Melodrama of Black and White, and Early Filmmaking,” Williams explores the

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February 8, 2017 dhuangg

Uplift Cinema: Understanding Industrial Progress of Negros

Uplift cinema is a genre of cinema that was prominent in the Black community in the 1910’s – 1920’s. Its

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February 8, 2017 jwilliams

Précis of “Richard D. Maurice and the Maurice Film Company”

The chapter I chose to read, “Richard D. Maurice and the Maurice Film Company”, from the book Oscar Micheaux and

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February 8, 2017 dylank

Précis on “Black Silence and the Politics of Representation”

In Clyde R. Taylor’s “Black Silence and the Politics of Representation,” a framework is built for considering the stifled growth

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February 8, 2017 tang

Butters, on Micheaux/Within Our Gates

[original article can be found here] Part 1 describes how Micheaux depicts african americans in a way that is described

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February 8, 2017 zoehessler

Précis: Early Race Filmmaking in America, Chapter 1

In Cara Caddou’s chapter “Put Together to Please a Colored Audience: Black Churches, Motion Pictures, and Migration, at the Turn

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About this class

Fall 2017, UCLA
Professor Miriam Posner
M, W, 12-1:15pm, Rolfe 2118
Our Slack
Make an appointment with Prof. Posner

Recent Posts

  • Blog Post 1: John Ashbery’s Nest
  • Blog Post 2 : Mori Art Museum
  • Blog Post 4 – And/Or Gallery
  • Blog Post 1
  • Site Visit – Blog Post 5 – makeup – Armory Center for the Arts

Recent Comments

  • brandonb. on Blog post #2
  • brandonb. on Blog Post 2: Museums
  • gshah on The Museum of Broken Relationships
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