{"id":188,"date":"2016-01-12T11:23:20","date_gmt":"2016-01-12T19:23:20","guid":{"rendered":"http:\/\/miriamposner.com\/classes\/dh150w16\/?p=188"},"modified":"2016-01-12T11:23:20","modified_gmt":"2016-01-12T19:23:20","slug":"art-objects-damage-and-resonance","status":"publish","type":"post","link":"http:\/\/miriamposner.com\/classes\/dh150w16\/2016\/01\/12\/art-objects-damage-and-resonance\/","title":{"rendered":"Art Objects, Damage, and Resonance"},"content":{"rendered":"<p>The essay &#8220;Resonance and Wonder&#8221; by Stephen Greenblatt touches on many key issues relating to the ways in which museums chose to display their art objects and the effects those display methodologies have on \u00a0viewers&#8217; reactions and understandings of the objects. In his essay, Greenblatt discusses how often times museums try to erase the history of the art object, which may include contextual and historical factors as well as physical damage to the works themselves. Greenblatt also describes how museums function as &#8220;monuments to the fragility of cultures,&#8221; and how the fragility of art objects themselves can have resonance. Greenblatt&#8217;s discussion of these themes made me think about a trip I took to the Cleveland Museum of Art this summer and a statue,\u00a0<em>The Thinker\u00a0<\/em>by Auguste Rodin, I saw at the museum.<\/p>\n<p><a href=\"http:\/\/www.clevelandart.org\/research\/in-the-library\/collection-in-focus\/thinker-re-thought\"><img loading=\"lazy\" decoding=\"async\" class=\"irc_mi\" src=\"http:\/\/static.panoramio.com\/photos\/large\/81308210.jpg\" alt=\"\" width=\"588\" height=\"393\" \/><\/a><\/p>\n<p>In 1970 an unknown anti-government group detonated a homemade bomb at the Cleveland Museum of art that blew out the bottom portion of\u00a0<em>The Thinker.\u00a0<\/em>The sculpture was severely damaged. The Cleveland Museum of Art&#8217;s\u00a0<em>The Thinker<\/em>, is a great case study for some of the issues that Greenblatt discusses in his essay. The physical damage inflicted upon the art object\u00a0can be seen as a testament to the fragility of the culture of the United States and to the ideologies and values tied to the United States government. The damage to the bottom of the sculpture also generates its own resonance through an added historical and contextual connection between the sculpture, the location, an era and a moment in time.<\/p>\n<p><em>The Thinker<\/em>\u00a0also presents a way to look at how Museums make decisions about damaged works and present the history of objects. \u00a0After considering several options, the Cleveland Musuem of Art decided not to restore the\u00a0<em>The Thinker<\/em> and return the damaged sculpture to the entrance of the museum. They added a small plaque, which described that the damage had been caused by a bomb, to the base of the statue. The history of the object now is inseparable from one&#8217;s understanding and\u00a0appreciation of the sculpture on display. One can no longer view the art object without considering its history. According to Greenblatt, this is a somewhat rare occurrence, as most museums attempt to remove historical context from art objects on display.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The essay &#8220;Resonance and Wonder&#8221; by Stephen Greenblatt touches on many key issues relating to the ways in which museums chose to display their art objects and the effects those &hellip; <a href=\"http:\/\/miriamposner.com\/classes\/dh150w16\/2016\/01\/12\/art-objects-damage-and-resonance\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Art Objects, Damage, and Resonance&#8221;<\/span><\/a><\/p>\n","protected":false},"author":17,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"link","meta":{"_eb_attr":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-188","post","type-post","status-publish","format-link","hentry","category-uncategorized","post_format-post-format-link"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"http:\/\/miriamposner.com\/classes\/dh150w16\/wp-json\/wp\/v2\/posts\/188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/miriamposner.com\/classes\/dh150w16\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/miriamposner.com\/classes\/dh150w16\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/miriamposner.com\/classes\/dh150w16\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"http:\/\/miriamposner.com\/classes\/dh150w16\/wp-json\/wp\/v2\/comments?post=188"}],"version-history":[{"count":0,"href":"http:\/\/miriamposner.com\/classes\/dh150w16\/wp-json\/wp\/v2\/posts\/188\/revisions"}],"wp:attachment":[{"href":"http:\/\/miriamposner.com\/classes\/dh150w16\/wp-json\/wp\/v2\/media?parent=188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/miriamposner.com\/classes\/dh150w16\/wp-json\/wp\/v2\/categories?post=188"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/miriamposner.com\/classes\/dh150w16\/wp-json\/wp\/v2\/tags?post=188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}